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Feeding the fantasy for escape
By ETHAN GILSDORF
Special to The News
12/7/2003

 

 

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Associated Press/New Line Productions
A battle scene from "The Lord of the Rings: The Return of the King." The Tolkien trilogy helps feed our craving to escape from life's mundane details.

"I would rather try my luck at a horde of orcs (Tolkien's evil warriors) with a broad sword than pay the Visa bill and look for parking," said a friend who works as a technology teacher for an inner-city school in San Francisco.

Once upon a time it was possible to build one's life around deeds, not mundane details. Alas, in the realm of strip malls and ATM machines, the hack-and-slash facets of our characters are no longer required. Reality is alternately dull or stressful. We yearn for escape.

Of course, wanting to transcend one's material existence is as old as religion, spiritualism, literature, art and sex. Wanting to run away after the arrival of the in-laws is at least as old as Thanksgiving. Is it any wonder Hollywood rolls out its most spectacular escapes for the holiday season?

Now, a quarter-century after "Star Wars," the entertainment industry efficiently meets our need for alternative realities. Technology delivers seamless special effects, while marketing drives the identical fantasy en-masse. The same opening weekend, millions of us slip out of ourselves and into experiences like this season's "The Matrix Revolutions" or the final installment of "The Lord of the Rings" trilogy, "The Return of the King."

But is it merely mind-numbing escape we seek in these works of reverie, or do we crave something more?

Sci-fi/fantasy as most people understand it - swords-and-sorcery, spaceships and their offshoots - makes the public nervous. Some of the charges levied against the genre include "anti-social," "adolescent" and "silly."

Recovered Dungeons and Dragons nerds like me have been despised ever since high school. There was something deviant about all that dice rolling, time travel and rule books we poured over like religious texts as we snarfed generic brand pizza and guzzled Jolt cola.

In fact, anything anachronistic or hopelessly out of step - even the refusal to own a microwave or SUV - makes your neighbor uncomfortable. Because as with pagan worshippers and Morris dancers, hobbits and Skywalkers seek to refute the modern world. Or, at least, to view it askance. And therein lies the genre's imaginative appeal.

But nothing in denying the present is inherently dangerous. Let's face it, sometimes we need a break. And it's unfair to blame the scourge of escape specifically on J.R.R. Tolkien and George Lucas.

Everywhere you look there are endless ways to distract yourself. Yet, voracious consumption of pop music and legal thrillers are considered a healthy celebration of the here-and-now. No one ostracizes John Grisham readers and Britney Spears listeners, who equally tune out, just to different frequencies than computer geeks.

Civic leaders will qualify, claiming some kinds of escape are ostensibly better for you than others. Take Harry Potter, which has been charged by the Christian right as promoting devil worship. Or light saber duels, which surely inspire violence. Other complainers try to rank each media's supposed benefits. At least books use the imagination, they say. As opposed to comic books, TV or video games, which supplants it.

But for those who say "The Lord of the Rings" is a whimsical diversion, remember that its characters are burdened and world-weary, just like you and me. They make impressive sacrifices to do the right thing (i.e., to stop the apocalypse). A cloak of foreboding hangs over Middle-earth (Tolkien's imaginary kingdom) and the grimy mother board corridors of "The Matrix," just as it continues to blot out this planet.

Besides, much of what we take for reality has a fantastic element, mediated by the media and without consequence to the viewer, and that includes TV coverage of the Iraq war. If by fantasy we also mean "unbelievable," then the horrors of the evening news compete with the current events of any parallel dimension.

The pressing question isn't, "Is escapism bad?" Standing in line for movie tickets, we should ask ourselves: "Are flights to realms like Middle-earth more frequent? Are we staying longer than before?"

And also this: "If our doomed earth demands escape, how can we stem the annual Hollywood-engineered season of migration?"

Action is what us Tolkienites crave. We want to flex our Dark Age muscle. I'm no Han Solo, but bring on the corporate storm troopers. I'm picturing a battle between me and several chairmen of the board.

CEOs, meet me at quitting time, Wal-Mart loading dock. Choose your weapon: crossbows or staple guns at 50 paces.


ETHAN GILSDORF is a writer living in Paris.